sexta-feira, 10 de fevereiro de 2017

Efeitos, Effects, FX´s ... tudo de graça!!! parte 7



... ontem eu não postei nada. Mas você não fica no prejuízo, hoje irei postar a quantidade em dobro...



41. T-SLEDGE



O T-SLEDGE é um compressor multibanda para masterização, equipado com limitador de pico, maximizador de nível e 4 compressores/exoanders/limiters. Também possui um filtro de visão com dois tipos IIR/FIR. Ele opera como um EQ dinâmico.




O Classic Auto-Filter é um filtro de quatro polos com controle de ressonância. Muito útil para efeitos criativos como auto-wah-wah e filter sweeps, bem como um filtro fixo para propósitos de equalização. As opções do filtro são low-pass, high-pass, band-pass and band-reject (notch). A frequência de corte pode ser modulada a partir de um envelope e do LFO.

43. Classic Chorus



O Classic Chorus é como seu próprio nome diz. É um chorus clássico. Tem excelente profundidade/resolução, possui perspectiva estéreo de fatness. Ele é muito bom para ser usado em Vocais e Instrumentos Elétricos.

44. Classic Compressor



Um Clássico Compressor que imprime uma sonoridade colorida e com bastante punch. Foi desenvolvido para ser usado em vozes e instrumentos solistas.

45. Classic Delay



Um Clássico Delay que emula três dos mais comuns delays echos: Tape, Analog, e Digital. Não produz ruídos.

46. Classic EQ



"Classic EQ is a 7 Band Stereo Equaliser with a warm analog sound, well suited to make non-surgical tonal corrections on all instruments, vocals and final mixes. The passive and additive structure, together with unique “Warm” and “Saturation” algorithms, produces warm and pleasant sound, just like some of the most expensive vintage gear. The left and right channels can be adjusted individually or linked together."

47. Classic Flanger



"Take a trip back to the mid 80's with our Classic Flanger. It will give you that subtle or massive swirling effect that is used mainly for guitar, but can be used for many other instruments as well. Due to a tightly controlled feedback path, it is possible to boost the flanging effect to maximum without getting unwanted side effects."

48. Classic Master Limiter



"The Classic Master Limiter VST plugin is specially designed to boost the overall level of your final mixes, but is also highly useable on very dynamic instruments. With just one control on the front panel operation is as simple as it gets; just turn the Threshold down and hear how your mixes gets louder and louder. Very high compression ratios can be obtained without changing the balance of the mix."

49. Classic Phaser





"The Classic Phaser emulates analog phasers from the 70’s and 80’s. These vintage phasers got their characteristic sound from the analog phase shifting filters used, unlike the delay lines used in most modern digital phasers. To get a deeper and fatter phasing effect, more filter stages were cascaded. The Classic Phaser works just like an analog phaser, and with selectable filter stages from 4 to 12, it can resemble anything from phaser pedals to expensive studio phasers from that time period."

50. Classic Reverb



"Classic Reverb is a nice and smooth reverb that does a good job on almost any instrument. It can be adjusted to sound like most any acoustic space, ranging from a small shower to a large concert hall. With the "Hi-Damping" control, it is possible to change the sound from bright and sibilant to a more natural / warmer sound."

51. Endorphin



"dual-band stereo compressor"

52. BLOCKFISH



"BLOCKFISH is a versatile compressor with countless ways to shape the incoming audio.
Unlike many other digital compressors, BLOCKFISH has 'soul'. It likes to bite, but it can be tamed easily once you've learned how to use its potential."

53. SPITFISH



SPITFISH is a dead-easy to use de-esser, aimed mainly at mono or stereo vocal tracks. Just like classic analog de-essers, this unit dynamically filters out harsh, annoying s-like sounds that would otherwise 'spit' in your face.



FLOORFISH is a simple expander / gate device, easy to set up and offers a broad variety of processing, ranging from slight expansion, backgound noise attenuation to extreme gating effects. What's different from similar units is the ability to scan the source and adjust the transistion curve accordingly.



"Signal modelling device that contains: envelope shaper, tube saturation emulator, exciter and at the end of audio chain is a compressor/ limiter for avoiding clipping."

56. Normalizer



"Normalizer – denormals eleminator. Denormalisation is an issue with some audio hosts that don’t switch off the plugin’s audio task when the song is stopped or a track contains silence (or with instruments: no key is pressed while a sound decays)."

57. AmpliTube® Duo LE



This guitar-based plugin is normally not free, but comes bundled in the free version of Sonoma RiffWorks T4 (for Mac and Windows), which you can download fro the link above. Studio Devil BVC (below) is also bundled with the software.

58. Studio Devil BVC (British Valve Custom)



"They offer several AWESOME plugins targeted for guitar usage, some commercial,but this one is free. British Valve Custom is based on the gain structure of popular British Valve (Tube) Rock amplifiers (like the infamous Marshall tube heads) with some subtle modifications to give it slightly more gain. This amplifier model has considerable bite and attack making it perfect for classic rock and hard rock sounds. It also works great with neck pickups for blues, rock, and even metal guitar solos."

59. Red Skull Distortion



"The Red Skull plug-in is an aggressive high-gain distortion pedal simulator with unbelievably chunky metal tones for playing Nu Metal, Grind Core, Hard Core, Trash Metal or any genre that requires crushing sound."

Por hoje é só!

Amanhã tem mais!!

Germano Lins

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